On movie sex and movie love...

Category: 1990s (Page 1 of 3)

Addams Family Values

  • YEAR: 1993
  • DIRECTOR: Barry Sonnenfeld
  • KEY ACTORS: Angelica Huston, Raul Julia, Christopher Lloyd, Joan Cusack
  • CERTIFICATE: PG
  • IMDB SCORE: 6.8
  • ROTTEN TOMATOES SCORE: 75%

SEX SCORE: 5/5
✔️ Just so rewatchable!
✔️ I would definitely fuck the cast…
✔️ …and it did inspire fantasies. Gomez and Morticia are the archetypal #RelationshipGoals!
✔️ It has to be sex positive as this movie actively celebrates all types of love and sex between all types of people without shame! 
✔️ And it passes the Bechdel Test! 5/5 movie!!

As always, this contains spoilers so watch the film before you read on…

STREAMING: Paramount Plus (free with subscription) Amazon Prime (rent £3.49, buy £5.99), YouTube (from £2.49). For a full list of streaming options, check out JustWatch.com

Why are sequels so often more interesting than the original movie? Magic Mike XXL, Grease 2, Incredibles 2, Wonder Woman 1984all sequels that I have written about without bothering to review the original release! These sequels are not always better, and in the case of Wonder Woman is significantly worse, but I think the fact that the characters are already established and don’t need origin stories creates space for more plot and more intrigue that do make the films more interesting!

And today’s movie – Addams Family Values – is no different. One of very few movies where the sequel is almost universally thought to be better than the original, part of me is a bit surprised that it has taken me so long to write about it as it is a pretty much perfect Sex, Love and Videotape movie, as demonstrated by its 5/5 score! It’s wonderfully made, it has several strong female characters who are in control of their sexuality, it deals with feminist themes that are close to my heart, it’s smart and it’s funny, and I love it!

A shocked looking Gomez, holding baby Pubert

After introducing us to the famous characters in the original movie, Addams Family Values follows the spooky and kooky family in the next stages of their lives. Morticia (Huston) and Gomez (Julia) have a third child, Pubert, and employ a nappy, Debbie (Cusack), to help with the childcare. The arrival of this baby causes such intense jealousy in Wednesday (Christina Ricci) and Pugsley (Jimmy Workman) that they are sent to summer camp, with appropriately hilarious consequences. Seeing Gomez so happy with his growing family, Uncle Fester (Lloyd) starts to feel lonely in his bachelor life, falls in love with and then marries Debbie…who sadly is a serial killer known as the Black Widow with desires for Fester’s fortune. Of course, her attempts to kill him just confirm Fester’s love and it takes the whole family coming together to save the day!

How I relate to Addams Family Values, and the whole Addams family, has definitely changed as I’ve aged. When I first watched the films as a teenager, I loved Wednesday’s sense of self and absolute refusal to bend or change to society’s expectations. As a younger woman, I related to Fester’s yearning to find someone who loved me as much as Gomez loves Morticia. Someone who could love me just as I am, accepting what I might have perceived as weird habits and unconventional appearances. Now, as a wife and mother of two, I am in awe of Morticia!

Morticia and Gomez in the Addams Family Values, sitting together in a graveyard

In fairness, I always have been. Morticia’s classic style and elegance has always been aspirational, and I have never ever put on a long black dress without wondering if I could possibly look as good as her. But it was only on this rewatch that I fully appreciated how successfully her position as the matriarch of a family full of strong personalities was used to satire traditional family values and make a feminist argument about how women themselves are valued within these families.

Of course, this was all very intentional. Paul Rudnick, the screenwriter, told The Hollywood Reporter, that even the movie’s name was specifically chosen to draw comparisons with these traditional values and hoped to show how oppressive they can be: ‘I did also want the movie’s name to be a response to the Republican Party’s constant harping on “family values,” as if only conservatives could define a loving family. In Republican terms, “family values” is always code for censorship and exclusion, and Republicans still refuse to respect or even acknowledge, for example, LGBTQ families. I like to believe that the Addams Family is far more loving and accepting than their enemies.’ A quote about a film from the early 1990s that is only becoming more relevant…

Despite the obvious misogyny within horror, with sexual women cut down left, right and centre, there is a lot of space within this genre for feminism and an exploration of our dangerous and bloody lives. And more than this, the Addams Family sit in a queerer corner of the genre – Halloween! From the Greenwich Village Halloween Parades that started in 1976 following the Stonewall Riots of 1969 to the proposed queerness of the classic horror characters, such as Dracula and Frankenstein, Halloween has become a ‘queer Christmas,’ a place for outsiders where gender ambiguity and particularly drag has become acceptable and encouraged: ‘Almost all the creatures of horror find themselves as social outcasts, and as such, the genre can be seen as one that celebrates queerness, while also representing the fears and prejudices society has used to attack the queer community.’ And that’s what and who the Addams Family are. They are outsiders and comfortably so, but their exaggerated ‘differences’ from mainstream society are exactly what makes them relatable.

Because this is where Morticia shines! Soon after Baby Pubert is born, she says to Gomez that she’s ‘just like any modern woman trying to have it all. Loving husband, a family. It’s just, I wish I had more time to seek out the dark forces and join their hellish crusade.’ YES! That’s exactly the problem with trying to have it all! There are so many pressures and expectations on parents that we simply don’t have time to do those things that we enjoy and that make us who we are. For me, it’s watching long long movies; for Morticia, it’s hellish crusades, but the effect is the same – we lose sight of ourselves.

Gomez and Morticia have a reputation for being the perfect couple – ‘soulmates, tethered by the same shadows and forged in the same kind of embers’ – but, for me, their love is expressed in more ways than their intense sexual chemistry (more on this later!). As soon as Morticia tells Gomez about how she wishes she had more time, they hire a nanny! Now, the hiring of domestic help, especially when this is usually provided by minority women for wealthy white women, remains a contentious feminist topic but, for me, it falls under the heading of being the lesser of two evils, because it does allow women the freedom to return to work or take time for themselves.

Morticia, sitting next to the baby's pram

I love that Morticia is given the time and space to be herself because she it means that she has become the role model we all need! Angelica Huston was in her 40s when she was cast and yet, she is still beautiful, elegant, powerful and, most importantly, sexy! Quite aside for how rarely women in their 40s are allowed to be sexy on screen, so much of my research pointed out how differently mothers and wives were portrayed on screen at the same time period. Whether nagging or boring or incompetent, these women ‘reinforced tropes of mothers or ex-wives that are shrill or overbearing.’ Think of Mrs Doubtfire, released the same year as The Addams Family Values, and how Sally Field (aged 47 at the time) nagged and shouted and complained and was essentially the villain of the movie, even before considering how she was shown to be selfish and perhaps a bit ridiculous for seeking a relationship with Pierce Brosnan when she ‘should’ have been saving her marriage to Robin Williams.

And amongst all of this was Morticia – a woman who gets to be sexy and a good mother AND a good wife! The more usual representation of wives as a progressive burden is even used as a sex joke:

Morticia: So… you still desire me after all these years? The old ball and chain? 
Gomez: Forever! 
Morticia: I’ll get them!

Morticia and Gomez tangoing!

I have to say that Gomez and Morticia’s sex lives and evident desire for each other is really fucking aspirational. With two children under 5 and a full time job, I don’t feel like it’ll come as much of a shock to admit that I’ve struggled with desire and my libido since becoming a mother, so I love love loved seeing a marriage portrayed on screen where time and children haven’t dulled their desire and sex remains an important and defining part of their relationship. Obviously, I wish that this had been possible in a couple that weren’t also defined by their otherness and peculiarity but beggars can’t be choosers! Morticia and Gomez are so hot that they literally start fires with their tango, and the hints and in-jokes at their BDSM relationships suggest that they have an equal partnership, exploring their desires together. I love them.

As an aside, my favourite bit of research was discovering that the reason Morticia was filmed with a prominent light over her eyes was an exaggeration of something Huston insists on: ‘I have a clause in my contract that says I can have a key light [to light my face]…Before [Prizzi’s Honour], I didn’t have the power to ask for a key light in my contract. I often found myself so badly lit, that I just put this clause in my contract in order to avoid repeating the same conversation with every director of photography. After that, I would have a key light any time they did close-ups of me. I think Barry and Scott turned that into a running joke: the key light became even smaller, almost envelope-like. Working with that key light feels so good.’ I love love love Huston having the confidence and power to ask for what she needs to be comfortable working. She IS Morticia!

Morticia and Wednesday in Addams Family Values with a bright light shining over Morticia's eyes

Whereas the original movie was about being true to ourselves and accepting our unique weirdnesses, Addams Family Values teaches us that, as a family, these individual differences can make us stronger, not weaker. Make us better parents even! Morticia and Gomez are able to be there for their children because they don’t feel limited by society’s expectations of what being a parent should look like and are able to revel in their kinky and kooky selves. 

I make no apologies that this review is a love letter to Morticia Addams and ignores the other incredible women in Addams Family Values. In the month that I went back to work, leaving my baby at nursery, and the month after my big girl started school, I really needed her! To quote Kayleigh Dray in Stylist, ‘Morticia teaches us to ignore what everyone wants us to do and embrace our own badass selves for who we truly are. To be unafraid to stand out from the crowd. And, above all else, to let go of the fucking patriarchy and be our best feminist self.

This Halloween, I might be dressing up as Morticia but I intend to channel her throughout the rest of the year. That amount of power really shouldn’t be confined to Spooky Season!

Morticia Addams, looking incredible in black lace!

NEXT TIME… Fair Play

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Copyright All stills and photos are sourced from MovieStillsDB and CineMaterial, and are the courtesy of their respective production studios and/or distribution companies. Images are intended for educational or editorial use only.

Bound

  • YEAR: 1996
  • DIRECTOR: Lilly and Lana Wachowski
  • KEY ACTORS: Gina Gershon, Jennifer Tilly, Joe Pantoliano
  • CERTIFICATE: 18 
  • IMDB SCORE: 7.3
  • ROTTEN TOMATOES SCORE: 89%

SEX SCORE: 4.5/5

✔️ This is definitely rewatchable because it is just so much fun!
✔️ And I absolutely would fuck the cast! I’m Kinsey 0-1 but Tilly and Gershon are so fucking hot that I don’t think that matters!
✔️ This is a queer movie with female protagonists – of course they talk about more than just men! Clear pass.
✔️ I do think it’s sex positive – the sex is authentic and looks both hot and a lot of fun! 
❓ And I’m giving it a half mark for inspiring fantasies because they’re not very specific to this movie! But as I said, the sex looks hot and a lot of fun, and who wouldn’t want sex like that?

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Pretty Woman

  • YEAR: 1990
  • DIRECTOR: Garry Marshall
  • KEY ACTORS: Julia Roberts, Richard Gere, Laura San Giacomo
  • CERTIFICATE: 15
  • IMDB SCORE: 7.1
  • ROTTEN TOMATOES SCORE: 65%

SEX SCORE: 5/5

✔️ This passes the Bechdel Test easily, but there are really only two named female characters so it’s good that they talk about a lot!
✔️ And it is rewatchable. It’s a classic for a reason!
✔️ I also would fuck the cast. Both Gere and Roberts are at their hotness peaks and are stunningly beautiful!
✔️ It probably did inspire fantasies too. Sex without kissing, sex on a piano, being so overtly and overwhelming desired…
✔️ And I think it is sex positive! It’s not a straightforward decision – sex is tangled inextricably with love but it sends good safe sex messages, it understands consent, and it shows that sex is pretty joyful and therapeutic!

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Body of Evidence

  • YEAR: 1992
  • DIRECTOR: Uli Edel
  • KEY ACTORS: Madonna, Willem Dafoe
  • CERTIFICATE: 18
  • IMDB SCORE: 4.5
  • ROTTEN TOMATOES SCORE: 8%

SEX SCORE: 4/5

✔️ I would fuck the cast. Dafoe and Madonna are hot and look like they’re having a lot of fun. What more do we want??
✔️ I think it will inspire fantasies – I have certainly fantasised about wax play before and this is an undoubtedly hot movie!
❌ But it’s definitely not sex positive! Sexual, dominant and kinky women are dangerous, worthy of judgement and deserve to be punished. Not cool.
✔️ It does pass the Bechdel Test though! I read claims that this pass is a bit dubious but I think it safely passes this admittedly low bar!!
✔️ Is it rewatchable? That is the question. This is a bad film and I don’t think I’ll seek it out again but, to use the definition of the amazing Rewatchables podcast, would I stop scrolling if I flicked past it on TV? Would I turn it on if I saw it on the guide? I probably would!

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Crash

  • YEAR: 1996
  • DIRECTOR: David Cronenberg
  • KEY ACTORS: James Spader, Holly Hunter, Deborah Kara Unger, Rosanna Arquette, Elias Koteas
  • CERTIFICATE: 18
  • IMDB SCORE: 6.4
  • ROTTEN TOMATOES SCORE: 63%

SEX SCORE: 2.5/5

❌ Not only does Crash not pass the Bechdel test, it fails it spectacularly. While there are named women in the film at no point in the entire film do any of them talk to each other. There’s not a huge amount of dialogue in Crash, so when I rewatched it with the Bechdel test in mind, I was kind of imagining there might at least be a passing conversation about Ballard between his wife and Doctor Helen that I’d forgotten, but no; not a dicky bird.

But it is rewatchable? I’ve now seen Crash three times; once in 1997 when it (finally) came out in the UK, once when it was re-released on 4K in 2020, and once for this review. I think it’s an astonishing, bewildering film and I can see myself rewatching it again in future. However, it is very strong stuff, and while I can imagine watching it multiple times, there are many people out there who might not be able to stomach an entire first viewing. That’s entirely understandable – it’s creepy, the characters are on the surface unsympathetic and often repellent, and it’s all-round just very fucking weird. However, if you are a weirdo who likes weird things it may be entirely up your alley. 

✔️ I did want to fuck the cast! Okay, have you seen the cast of Crash? Firstly, James Spader. If you are at all into pervy men in real life then you are in all likelihood into James Spader: I don’t make the rules. However, those of us perverts who also fancy women are extremely well- catered to by this film, which features Holly Hunter with a sleek brown bob glacially smoking cigarettes, Deborah Kara Unger bending over a railing to show off her bare arse, stockings and suspenders and, famously, Rosanna Arquette in leg braces and black leather. I am not even into women smoking or wearing leg braces except for the duration of this film! But for those 100 minutes I absolutely am. And actually, even Elias Koteas performs the role of Vaughan – easily the creepiest character in the movie – with a degree of ‘strange, perverse sensuality’ (Cronenberg’s own words) that I’m… kinda into. I’m not proud of it!

But it did not inspire fantasies. Nooooo. Or… not on this viewing.

✔️ Yes, it is sex positive, almost to a fault. If we take as our definition of sex positivity as being anything that ‘affirm(s) the choices others make regarding sex, even if those choices are different from the ones we would make (as long as those choices are consensual)’ Although that said, some of the sex in Crash is a bit dodgy consent- wise: there’s one scene of open public fucking without regard for whether others on the roads have consented to seeing, and another where Vaughan and the Ballards are wandering around the scene of a multi- car pileup taking photos, posing next to injured bodies and generally being grossly intrusive. The scene is as disturbing as it sounds but the film and its director do not see fit to moralise and trust the audience to make their own decisions about that. 

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Beauty and the Beast

  • YEAR: 1991
  • DIRECTOR: Gary Trousdale and Kirk Wise
  • KEY ACTORS: Robby Benson, Paige O’Hara, Richard White, Angela Lansbury, Jerry Orbach
  • CERTIFICATE: U
  • IMDB SCORE: 8.0
  • ROTTEN TOMATOES SCORE: 94%

SEX SCORE: 3/5

✔️ As a film I’ve easily watched in advance of 40 times, it would be hypocritical of me to say it is not rewatchable.
❓ I want to fuck the cast in fantasy more than reality. Angry men in a scene, yes. Angry men in reality, no. However, Belle is an absolute babe. 
✔️ It did inspire fantasies. So very many. ‘If she doesn’t eat with me, she doesn’t eat at all!’ – do I have to say any more…?
❓ In some senses it is sex positive, mostly in the way it approaches consent, but love and sexual relationships are treated as something for adults, to be understood by adults- as Chip’s questions get brushed aside.
❌ A film with few female conversations leaves little opportunity to ascertain whether it passes the Bechdel Test. Belle is the only human female ‘character’ and only named woman in the film’s dialogue except Mrs Potts. Belle, Mrs Potts and the wardrobe (unnamed) have a conversation about Belle’s bravery for switching places with a man as a result of the actions of a man. Wardrobe also converses with Belle, but this time solely about how good she’ll look for a man.

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Indecent Proposal

  • YEAR: 1993
  • DIRECTOR: Adrian Lyne
  • KEY ACTORS: Demi Moore, Robert Redford, Woody Harrelson
  • CERTIFICATE: 15
  • IMDB SCORE: 6.0
  • ROTTEN TOMATOES SCORE: 35%

SEX SCORE: 2/5

❌ This fails the Bechdel Test – I believe that Diana is the only named female character, which isn’t really good enough…
❌ And I don’t think it is rewatchable. It simply wasn’t good enough and my fantasies of the premise are better than the film!
✔️ Despite their flaws, I do want to fuck the cast…except Woody Harrelson…
✔️ And it did inspire fantasies. Of being bought and being sold and CONSENSUALLY treated as an object!
❌ Finally, it isn’t sex positive. There was too much ambiguous consent and odd sexual dynamics to get a mark for positivity!

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The American President

  • YEAR: 1995
  • DIRECTOR: Rob Reiner
  • KEY ACTORS: Michael Douglas, Annette Bening
  • CERTIFICATE: 15
  • IMDB SCORE: 6.8
  • ROTTEN TOMATOES SCORE: 91%

SEX SCORE: 2/5

✔️ This does pass the Bechdel Test, but it’s one of those passes where the exact conversations that qualify can be listed so it’s not a strong pass!
❌ But I don’t think it’s rewatchable. I don’t mean that it’s not good – I enjoyed it a lot – but I don’t think you could pick it up halfway through and watch from there, and I don’t know that I’d go out of my way to see it again
❌ And I don’t want to fuck the cast. Sorry Michael Douglas, you’re still not for me, although this is much closer than any other movie you’ve done!
✔️ It is sex positive! The plot essentially revolves around whether it is appropriate for the President to have a girlfriend, but any opposition to the relationship is appropriately judged!
❌ It didn’t inspire fantasies so is only getting 2/5, which feels low for a movie I enjoyed. But I simply don’t want to fuck the American President – either in real life (MY EYES!), in the movie or in fantasy.

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The Craft

  • YEAR: 1996
  • DIRECTOR: Andrew Fleming
  • KEY ACTORS: Fairuza Balk, Neve Campbell, Robin Tunney, Rachel True
  • CERTIFICATE: 15
  • IMDB SCORE: 6.4
  • ROTTEN TOMATOES SCORE: 55%

SEX SCORE: 2.5/5

✔️ Of course, this passes the Bechdel Test!

✔️ And as much as I was scared of it as a teenager, this really is rewatchable.

❌ But I don’t want to fuck the cast. In many ways, I wanted to be the cast, but I didn’t want to fuck them.

❓ Did it inspire fantasies? I think I will give it a half a mark as there is so much that I wanted, but I didn’t want it for sexual reasons. Well, not directly anyway!

❌ And it isn’t sex positive. Sex is a source of trauma and conflict for all of the girls, and I don’t get the impression that any of them have had a positive sexual experience.

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Contact

  • YEAR: 1997
  • DIRECTOR: Robert Zemeckis
  • KEY ACTORS: Jodie Foster, Matthew McConaughey, Tom Skerritt
  • CERTIFICATE: PG
  • IMDB SCORE: 7.4
  • ROTTEN TOMATOES SCORE: 65%

Today’s guest post is written by Charlie X (they/he), a blogger I have only recently started reading and who shares the most incredible photos! Follow them on Twitter @CharlieXblog. They have chosen to look at Contact through a Freudian psychoanalytical lens and it is fascinating…

SEX SCORE: 2.5/5

✔️ Contact passes the Bechdel Test.

❌ But Charlie did not want to fuck the cast. (I probably would…)

❌ And we both agree that it didn’t inspire fantasies. It’s not really a movie about sex!

❓ Which is why it’s difficult to say whether it’s sex positive or not. There are no red flags but no are there positive attributes either…

✔️ But is is definitely rewatchable! If only because there are a lot of strands to pick at and lots to think about.

As always, this contains spoilers so watch the film before you read on…

STREAMING: Amazon Prime (free with subscription), BFI Player, YouTube (from £3.99). For a full list of streaming options, check out JustWatch.com

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