On movie sex and movie love...

Tag: LGBTQ

Battle of the Sexes

  • YEAR: 2017
  • DIRECTOR: Jonathan Dayton, Valerie Faris
  • KEY ACTORS: Emma Stone, Steve Carnell
  • CERTIFICATE: 12A
  • IMDB SCORE: 6.7
  • ROTTEN TOMATOES SCORE: 84%

SEX SCORE: 4/5

✔️ This movie definitely passes the Bechdel Test!
✔️ And I think I would fuck the cast. Not so much Steve Carell but I did like Emma Stone’s Billie Jean!
❓ But did it inspire fantasies? All the ASMR meant that I wanted a haircut with head massage but I don’t know if that really counts as a sexual fantasy…
❓And I’ve been battling with the question if it’s rewatchability. It’s a great film but I think I would only watch it again if someone else requested it and wouldn’t go out of my way to see it.
✔️ It is sex positive! There’s nothing explicit on screen but King’s extra-marital relationship with Marilyn is handled well and, although I’d prefer it to be more obvious, Margaret Court’s anti-LGBT attitudes are presented as outdated and unwelcome, as they should be.

As always, this contains spoilers so watch the film before you read on…

STREAMING: Virgin TV Go (free with subscription), Amazon Prime (rent £3.49, buy £7.99), YouTube (from £3.49). For a full list of streaming options, check out JustWatch.com

The poster for Battle of the Sexes showing King and Riggs at a press conference

It’s been difficult to find time to write recently because there has been just so much sport to watch, which is unlikely to change with the Olympics approaching! And it’s been great sport too, including my favourite tournament in my favourite sport – Wimbledon. What a fabulous time of year! I didn’t realise how much I had missed Wimbledon until we were sitting courtside two weeks ago, listening to the polite applause and thwacking of balls and I felt a whole year of missed experiences lift off my shoulders. Similarly to movies, sport has always been an extraordinary way to escape – immersive, exciting, terrifying, exhilarating, potentially frustrating, and occasionally devastating – and that’s felt even more needed this year. Whether cheering England’s storm through the Euros or celebrating Andy Murray’s glorious return and devastating but inevitable loss, I have been particularly grateful for sport these past few weeks!

But, angry feminist that I am, I struggle to really enjoy sports without also acknowledging the inequalities within them. It’s been impossible to ignore the systemic racism within sports, first with the recent banning of sprinter, Sha’Carri Richardson, after testing positive for smoking cannabis – something that didn’t have the same consequences for white male athletes – and then this weekend when the FA had to make a statement condemning the racist abuse faced by England football players following their defeat by penalties in the Euro 2020 finals.

The arguments about inclusion of gender diversity have also reared their ugly heads again as rules intended to exclude trans athletes have simply led to black cis athletes being banned for having naturally high testosterone levels. And, of course, there is no doubt that women’s sports are still considered secondary to the men’s game in nearly all sports. Less prestige, less money, less media coverage, and apparently any perceived equality is still worth questioning.

Don’t misunderstand me – tennis is one of the better sports in this regard. Perhaps even the best! Women have equal prize money in the Grand Slams (although not all tournaments – I’m looking at you, Italian Open) and Naomi Osaka and the Williams sisters are as famous as, say, Djokovic or Federer. But it’s not enough. Osaka is the highest paid sportswoman ever and is still only 12th on Forbes highest earning athletes list, a list that includes only one other woman – Serena Williams; Wimbledon still rarely schedules more than one women’s match on the show courts each day, despite being a source of complaint for years; and I am still arguing with otherwise reasonable people about whether women do deserve equal pay. Just last weekend, I had to persuade a friend that women should have equality in both pay and coverage BECAUSE THEY ARE JUST AS TALENTED, WORK JUST AS HARD AND ARE JUST AS ENTERTAINING SO DESERVE IT JUST AS MUCH, even if the ratings are lower, because that’s the only way to encourage more engagement.

Of note, this isn’t a historic issue. I was shocked to discover that Wimbledon and Roland Garros, the French Open, two of the biggest tennis tournaments of the year, only offered equal prize money in 2007. Fucking hell! (The Tennis Podcast recently did an incredible show on the journey to equal prize money that I would strongly recommend!)

But this is a movie podcast so I will try to curtail my rant and talk instead about a movie that covers the origins of this very argument. And it exists at the intersection of almost all of my key interests – movies, Emma Stone, feminism, sexism, and tennis – so, of course, I loved it!

Set in 1973, Battle of the Sexes tells the story of a publicity stunt; a match between young star and personal hero Billie Jean King (Stone) and aging misogynist Bobby Riggs (Carell) that was meant to prove that the women’s game was worth watching. 1973 was a big year for women’s tennis – the Women’s Tennis Association was formed in June when the Original 9 signed contracts for $1 to become professional players, prompting their expulsion from the US Lawn Tennis Association, and the US Open offered equal prize money for the first time that autumn – and, of course, the men didn’t like it. Riggs, a well-known gambler and hustler, saw this as an opportunity to make a quick buck and humiliate women in the process. Initially playing and beating Margaret Court, an Australian player who was World No. 1 at the time and has since become notorious for anti-LGBT views that have made it difficult to celebrate her legacy, King takes up Rigg’s challenge to play him – and she wins, something described as a win for women’s tennis and women’s sports.

There’s something wholly ridiculous and depressingly familiar about Riggs’s challenge to King. He was in his 50s and had retired in 1951 – over 20 years before he decided to claim that, even at his age, he could beat any of the top women players. This reminded me of the 2019 YouGov poll that showed that 12% (ONE IN EIGHT) British men think they can take a point off Serena Williams, arguably the greatest athlete of all time, and how John McEnroe in 2017 felt that Serena would be only ranked ‘like 700’ in the men’s tour. There is no doubt that the men’s and women’s games are different and I really resent the comparisons between them because, to me, it would be like comparing a 200m and 800m sprinter and wondering why each can’t win the other’s race. But I still think that these men who think they could so easily beat the top women’s players are seriously underestimating their skills!

As I’ve been writing this, it’s been difficult to separate my review of the movie from the review of the actual event. Because I have so much to say about how wonderful and inspiring Billie Jean King is and how historic this event was. And, for a publicity stunt, the Battle of the Sexes really was inspiring – and proves to me that sometimes doing something to make a point really can make a difference. Over 100 million people watched the match internationally on TV and it really did have implications for the acceptance of women’s tennis, just as King knew it would.

And so I loved how Battle of the Sexes emphasised the difference in stakes faced by King and Riggs. Carell perfectly hams it up as Bobby Riggs, a man who is set on creating a circus. He tells the press that he is ‘going to put the show back into chauvinism!’ He poses for photoshoots with scantily clad women and plays tennis dressed as a milkmaid. Or with a saucepan. He’s a joke. But he says outloud what men who felt begrudged by women’s liberation and the progress of feminism felt, and he knows that this makes him a hero for those men. Frankly, Riggs also doesn’t think that he has anything to lose. Particularly when he so easily beats Margaret Court – as far as he is concerned, he has already proven his point. Battle of the Sexes showed us how much of a gambler he was, and he looked like he was on a winning streak. Why wouldn’t he think he can do it again?

We’re obviously not supposed to like Riggs but I did like that Battle of the Sexes didn’t ‘demonise’ him. It would have been so easy to make him a cartoon villain, an unsympathetic figure of hate, but that wouldn’t have fitted with reality – that it was simply much more complicated than that. He was a joke, but he wasn’t vicious. He wasn’t actively holding women back – you could say that he was giving them a platform! And Riggs is shown to be pretty dependent financially on his wife, which is a fabulous irony. King also thought a great deal of Riggs and admired his tennis, telling Mark Kermode at the Edinburgh Film Festival in 2013 that ‘he was one of my heroes and I absolutely respected him,’ and you can tell by watching. But she knew that he wasn’t the real enemy. He may have been the mouthpiece for the misogynistic masses but he was more a showman who found his audience.

King knows that the Battle of the Sexes is more than just a show, as do we watching. She takes it seriously – both the circus, sparring with Rigg’s banter, and in her preparation, and this is well represented in the movie. As Peter Bradshaw wrote in his Guardian review, ‘the film crucially faces the same challenge as the participants from real life: the challenge of tone. How unseriously should this match be taken? How strenuously should the attitude of casual jokiness be maintained? No one involved in this encounter could be certain of its outcome; neither side could be sure of avoiding humiliation, and thus everyone had a vested interest in keeping it light. Up to a point. But only one side was facing jokiness as a weapon, the same weapon of boorish condescension and toxic bantz that they faced outside the sporting arena every day of their lives.’ And, for me, Battle of the Sexes did find the right balance. It was both hilariously funny at times and, through Stone’s impassioned performance as King, appropriately desperate and high-stakes.

King shows the audience that she is much more aware of the systemic nature of the oppression, personified in Battle of the Sexes by Bill Pullman’s fantastic role as Jack Kramer, the real villain of the movie. Kramer was another retired World No. 1 and was instrumental in the formation of the ATP, Association of Tennis Players, and the professionalisation of tennis. He wasn’t a stranger to conflict for the greater good, leading the Wimbledon boycott in the same year as the Battle of the Sexes. But, according to this movie, he didn’t respect women and simply didn’t want them to succeed, using his positions of power to undermine women’s tennis.

King: ‘I don’t think you respect women.’
Kramer: ‘I’ve been happily married for thirty-two years.’
King: ‘You like us in the kitchen and the bedroom.’

It was a very clever movie trick for King to have to face up against both of these men, Riggs and Kramer, representing both types of misogynists – the loud ones that tell you to your face that they are better than you, and the quiet ones that work within the system to prevent you from ever making progress. Pullman’s Kramer smiles and shrugs and says that he wishes it didn’t have to be this way but that’s just the way the world works and he has no intention of changing it.

This was one of so many little touches in Battle of the Sexes that showed that the filmmakers knew how insidious the oppression women faced could be, and how difficult it was respond. Riggs tries to sell the Battle of the Sexes as a ‘male chauvinist pig vs hairy-legged feminist,’ knowing that the label wouldn’t damage his reputation nearly as much as it could damage hers. As I wrote when talking about Kat in 10 Things I Hate About You, even in 1990s, I was put off the idea of feminism because I didn’t want to fulfil the negative stereotype that Riggs was exploiting to gain power over King.

I was also pleasantly surprised by the tennis on screen because it was actually pretty good. It’s not an easy sport to show on screen – one day I will write about Wimbledon, my secret favourite movie that I love so much that it almost makes me forgive how awful the actual tennis scenes are – but the match play was enough to please a fan like me. The winning shots were obvious, sure, but they were still thrilling. And it sounded right. It sounded like those thwacks that I’d missed so much at Wimbledon.

And finally, I thought the sub-plot of King’s exploration of her queerness through her relationship with hairdresser Marilyn Barnett (Andrea Riseborough) was well handled too. IMBD claims that the scenes when Barnett was cutting King’s hair were deliberately designed to act as ASMR, Autonomous Sensory Meridian Response, and I loved how it immersed the viewer in how a new crush can feel. I liked how the queerness of their love wasn’t really a scandal either, as it might have been in 1973, and instead it was King’s infidelity that was the focus of the tension in her relationship. It also really amused me that King’s family accepted that she would need a haircut before the match, rather than even considering that the person providing the cut might be the source of support! If it’s not a ridiculous oxymoron, it was almost a sweet misogynistic misunderstanding that King might be so concerned about her hair, rather than even needing her gal pal.

So I really enjoyed this film. I do acknowledge that this is mostly because I adore both Emma Stone and Billie Jean King, but that doesn’t mean it’s not an excellent film!

As I become more aware of her and what she has done for tennis and women in general, the more I am inspired by King. She quite simply got stuff done! And she was right. This was an important win for women; in tennis, in sport, and in general.

And I loved that she understood that the patriarchy screws everyone. As the real King told Catherine Whitaker in another brilliant interview for the Tennis Podcast, ‘when a woman says something or does something they go “Thank you for what you did for women.” I didn’t just do it for women; I did it for everyone.’ Because we all benefit from equality. Sport is better when women are included – it doesn’t diminish the men’s game and it offers the spectators more. More role models, more beautiful matches, more of everything we love about sport. How could that ever be bad?!

So thank you. Thank you so much!

This was played before Saturday’s Wimbledon Ladies Final. I’m sharing it because it mirrors the sentiment of Battle of the Sexes and Billie Jean King’s fight perfectly, and is one of the most powerful pieces of film I have ever watched.

It’s not about playing for greatness; it’s about playing for legacy.

NEXT TIME…the promised but delayed Ralph Fienne’s movie star post on THE ENGLISH PATIENT!

Copyright
All stills and photos are sourced from MovieStillsDB and CineMaterial, and are the courtesy of their respective production studios and/or distribution companies. Images are intended for educational or editorial use only.

Top Gun

  • YEAR: 1986
  • DIRECTOR: Tony Scott
  • KEY ACTORS: Tom Cruise, Kelly McGillis, Anthony Edwards, Val Kilmer
  • CERTIFICATE: 12A
  • IMDB SCORE: 6.9
  • ROTTEN TOMATOES SCORE: 54%

SEX SCORE: 3/5

✔️ Is it rewatchable? What a question – of course it’s fucking rewatchable!!
✔️ And of course I want to fuck the cast! Maverick, Goose, probably Ice Man and Viper…the flight suit/aviator look is cliched now but it’s a cliche for a reason!
✔️ I think it also did inspire fantasies. Not so much of fucking a pilot but of fucking 1986 Tom Cruise!
❌ But it doesn’t pass the Bechdel Test. The only two female characters are Charlie and Mrs Goose (who is called Carole but I had to look it up) and while they do share one scene, they don’t say a word to each other.
❌ And it’s not sex positive. Too much sexual harassment is treated as a joke!

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Happiest Season

  • YEAR: 2020
  •  DIRECTOR: Clea DuVall
  • KEY ACTORS: Kristen Stewart, Mackenzie Davis, Aubrey Plaza
  • CERTIFICATE: 12
  • IMDB SCORE: 6.8
  • ROTTEN TOMATOES SCORE: 83%

SEX SCORE: 3/5

✔️ Of course this passes the Bechdel Test!
✔️ And I would definitely fuck the cast. I’m pretty much entirely straight and yet I would still definitely fuck either Kristen Stewart or Aubrey Plaza!
❌ But it didn’t inspire fantasies. I’ll admit that sneaking along corridors for secret sex at your parents house is kind of hot, but this is just too awkward…
❌ And the awkwardness means that I don’t think it is rewatchable. I’m not a huge fan of romcoms for exactly that reason and this is too much
✔️ But I will give it a mark for being sex positive – it’s queer positive and inclusive and, eventually, accepting!

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Blue is the Warmest Colour

or La Vie d’Adèle – Chapitres 1 et 2

  • YEAR: 2013
  • DIRECTOR: Abdellatif Kechiche
  • KEY ACTORS: Adèle Exarchopoulos, Léa Seydoux
  • CERTIFICATE: 18
  • IMDB SCORE: 7.7
  • ROTTEN TOMATOES SCORE: 89%

SEX SCORE: 4/5

✔️ It does pass the Bechdel test – the two main characters are women and the main relationship is between the two of them!

✔️ The cast are definitely fuckable. I’m straight but there’s no denying that they are both beautiful and incredibly hot together.

❌ I can’t say that it inspired fantasies though. I’m not that curious about having sex with someone with a vulva so while I admired how hot their sex was, it wasn’t something that I fantasised about afterwards.

✔️ The rewatchable question is a difficult one. It is three hours long. And as an English speaker, it is entirely in subtitles. But, wow, it was engrossing and the time seemed to fly by! And I would definitely watch it again so, yes, rewatchable!

✔️ And it is sex positive. Sex is an important part of their relationship and, while there are some sex negative moments with homophobia and slut shaming, they are clearly positioned as wrong and damaging.

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Boy Meets Girl

  • YEAR: 2014
  • DIRECTOR: Eric Schaeffer
  • KEY ACTORS: Michael Welch, Michelle Hensley
  • CERTIFICATE: unrated in UK, R in USA
  • IMDB SCORE: 7.1
  • ROTTEN TOMATOES SCORE: 88%

I’m so excited to be hosting this guest post! Quinn Rhodes (ze/hir) is an absolutely incredible trans blogger who writes really excellent and passionate posts about hir explorations with gender, kink and hir sexuality. Hir erotica is also smoking hot!! I asked Quinn to chose a movie that contains a trans character or was about trans themes, and ze surpassed my expectations by picking a perfect film – one that is new to me and one that shows a much more positive trans experience than most. Boy Meets Girl is fantastic and I am so pleased that ze introduced me to it. Find Quinn on Twitter @OnQueerStreet

SEX SCORE: 5/5

✔️ It does pass the Bechdel Test! There are several conversations where there are only women on screen and they’re talking about themselves…though a lot of the time they are rather obsessed with the main character’s junk.

✔️ It is rewatchable! Admittedly, this was the first time I’ve watched Boy Meets Girl and even in the six years since it came out it hasn’t aged especially well in some aspects (more on that later), but it’s definitely a film I’ll be going back to.

✔️ Of course I want to fuck the cast! Michelle Hensley is incredibly hot and I forgive the unrealistic sex scenes (when they start fucking outside by a river in the middle of the night and then we cut to them in a bed the next morning) because she is so fucking sexy in them.

✔️ It also inspires fantasies! I am definitely going to have to spend more time thinking about the sex that the film obviously doesn’t show us, lest it be cast as porn, and trying to work out what some of the things the characters whisper to each other before they fuck could be.

✔️ I’d also say that it was sex positive! I think any film that shows two women having “the talk” before they have sex about previous partners and safe sex practices definitely can be counted as extremely sex positive, even if I would never describe talking about those things in that way.

As always, this contains spoilers so watch the film before you read on…

STREAMING: Amazon Prime (free with subscription, or rent for £2.99, buy £6.99). For a full list of streaming options, check out JustWatch.com

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Four Weddings and a Funeral

  • YEAR: 1994
  • DIRECTOR: Mike Newell
  • KEY ACTORS: Hugh Grant, Andie MacDowell
  • CERTIFICATE: 15
  • IMBD SCORE: 7.0
  • ROTTEN TOMATOES SCORE: 96%

SEX SCORE: 5/5

✔️ This movie is definitely rewatchable! Sadly, it’s not on TV as often as other Richard Curtis movies as I could watch it every day!

✔️ It’s difficult to know if this movie is the source of wedding dress fantasies or not, but this was certainly my first exposure to the idea of fucking while wearing a wedding dress.

✔️ And it does pass the Bechdel Test, but only just!! Apparently the only qualifying line between two named female characters is this one: Scarlett: Isn’t she beautiful? Fiona: Scarlett, you’re blind, she looks like a big meringue.

✔️ I contemplated this one for quite a long time but I have concluded that the cast are fuckable. None are at their hotness peak but they’re all looking pretty good!

✔️ And it is sex positive. The characters all fuck around and have a lot of sex and, while it may be greeted with humour and hilarity, the characters are never judged for it. And I like that!

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The Rocky Horror Picture Show

YEAR: 1975
DIRECTOR: Jim Sharman
KEY ACTORS: Tim Curry, Susan Sarandon, Barry Bostwick
CERTIFICATE: 15
IMDB SCORE: 7.4
ROTTEN TOMATOES SCORE: 80%

SEX SCORE: 3.5/5
✔️ So Rocky Horror passes the Bechdel Test, but this is another example where it can be argued that its passing is ‘dubious.’ It does literally pass the binary test, but all the qualifying conversations between named female characters are still about sex…just sex with a woman.
✔️ It is rewatchable. But I’d recommend watching it at the cinema if at all possible – it is so much more fun that way!
✔️ And I do want to fuck the cast. They’re all either very extreme or very normal, but the characters are so horny that they have an undeniable appeal. Also, I love a man in stockings…
❓ Unsure if this really count as inspiring a fantasy as it didn’t get quite as far as a full-blown fantasy, but this film is certainly the first time that I saw a man in heels and stockings look so good and, lets just say, it changed things!
❌ But considering how revolutionary it was at the time it was released and how important it has been to queer representation, I don’t think Rocky Horror is sex positive. Frank is too predatory; Rocky is too exploited; Janet is not a slut. It’s wonderful but its sexual politics haven’t aged so well.

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Imagine Me and You

YEAR: 2005
DIRECTOR: Ol Parker
KEY ACTORS: Piper Perabo, Lena Headey, Matthew Goode, Celia Imrie, Anthony Head
CERTIFICATE: 12
IMDB SCORE: 6.8
ROTTEN TOMATOES SCORE: 34%

I’m so happy to be posting another guest post from another fabulous sex blogger, Amy Norton from Coffee and Kink! Amy writes hot erotica, detailed sex toy reviews and insightful personal essays – do go and check out her writing!

SEX SCORE: 4.5/5
✔️ Passes the Bechdel Test with flying colours. Main characters Rachel and Luce are shown talking about a wide range of topics from flowers to football.
✔️ Fuckable cast – Lena Headey (yes, as in Cersei Lannister) as a dorky lesbian florist? Sign me the fuck up. Piper Perabo is also super hot. The men don’t really do anything for me; Matthew Goode’s Heck is cute enough but not my type, and Darren Boyd’s Cooper is way too obnoxious to be hot.
Fantasies inspired – Half a point here. No specific sexual fantasies from this one (there’s hardly any actual sex in it!) but definitely plenty of romantic fantasies. This movie was the first piece of media which gave me hope that queer women, too, could have cinema-worthy mushy happy endings.
✔️ Rewatchable – Endlessly. I’ve probably seen this film at least a dozen times by now, and it’s a frequent cheer-me-up choice when I’m sad or sick.
✔️ Sex positive – This was difficult to decide. I’m torn primarily because there’s a major theme about cheating, which is hard to classify as sex-positive. However, it’s also a story about following your heart when your sexuality turns out to not be quite what you thought, and it’s unashamedly queer-positive (despite coming out only two years after the end of Section 28.) So, yes, it gets the point.

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